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The Whitby TRAP – preview chapters

The Whitby TRAP preview

CHAPTER 1

‘Wow, is it always like this?’
    ‘I told you it was gothic!’
    The electric storm is directly overhead as they turn onto Church Street. The car rattles the cobbles. In the dusk gloom, the shop fronts are bright as birthday cakes: jet jewellers, photographers, bookshops, cafés, pubs.
    Fork lightning rips the sky. The old town hall in the square is thrown briefly into silhouette as a thunderbolt smacks the bell tower with several hundred million volts, knocking out the power supply across the neighbourhood and plunging the window displays into darkness.
    And, finally, the clouds break.
    Hail hammers the car roof and bounces on the cobbles in a reverberating cacophony. People huddle in shop doorways or race for shelter beneath the town hall.
    Sarah advances slowly, windscreen wiper blades beating frenetically. Arguments Yard on the left, they squeeze along the narrowing street, past the foot of the 199 steps and onto Henrietta Street.
    She stops right outside the cottage and cuts the engine. Just ahead is another car with its boot open. A mum, dad and two kids are running in and out of a house a few doors up, shout- ing and carrying armfuls of stuff. The boy, maybe fourteen, looks happy enough, but the girl, maybe the same age, has the slumped shoulders of someone being forced to visit the Beige Room in a thimble museum.
    The girl breaks away and walks straight towards Sarah, the dad coming after her. He grabs her arm just as she reaches the car.
    ‘I don’t care if it’s bloody hailing!’ the girl shouts above the noise of the downpour. ‘Stay indoors all weekend if you want, but I’m going fossil hunting.’
    ‘Calm down,’ pleads the dad, his hair plastered down on his head by the elements. ‘Mum is worried about Nan so …’
    ‘No! Sod off. Jurassic Coast not Geriatric Coast. You promised. I’m here to look for dinosaurs, not bore myself stupid with puzzles and card games.’ With that she turns and storms off back up the street with the dad in pursuit.
    Up ahead the mother is holding up an umbrella to escort the grandmother into the cottage.
    ‘Well, here we are!’ Sarah says brightly. ‘Welcome to Whitby!’
    No one moves. Sarah sets a good example, throws open her driver’s door and steps out. Bombarded with hailstones the size of peas, she hurries round the front of the car to the door of the cottage, and shoves the key that arrived in the post into the lock.
    Since the whole street is in darkness it comes as no huge surprise that the light switch doesn’t work.
    Doesn’t matter; you’ve got a torch.
   
Back outside she opens the boot and starts transferring luggage inside. Suitcases and half a dozen carrier bags. The others are still sitting in the car, hoping the weather will give up. By the time everything is in the front room, the lights have come back on up and down the street, the hail is relenting, and the others finally venture out of the vehicle.
    Lights are thrown on in every room and discoveries are made. The cottage is warm and Sarah reassures everyone that everything will quickly dry out.
    ‘Cup of tea?’
    ‘It says you can turn the car round at the top,’ Stephen says.
    ‘Can you bring back some chips, love?’
    The front door closes.
    Feet run back downstairs.
    ‘You can see the harbour jaws from the bedroom!’
    ‘You can see them from down here too.’
    ‘Is he always like this?’
    ‘Did you bring coffee? He won’t drink tea. Calls it cat-lap.’ A whole weekend in Whitby old town. Sarah fills the mugs and carries the tray to the through lounge that looks both onto the street and down to the harbour. Someone has switched on the television. She bites her lip and counts to ten and hopes it will be left off once they all have been for a walk. She rummages in the bags and nds the hot water bottles. It feels warm and cosy in the cottage but it’s still nice to have something to snuggle up to in bed. Besides Stephen, of course.
    She stacks the bottles on the kitchen windowsill beside the kettle and heads up to the bedrooms.
    The wooden stairs creak. Sarah persuades herself that it doesn’t really matter that Derek and Amy have clearly already taken the room that faces the harbour; the bed is just as nice in the other bedroom, even though it only faces the street. A boat enters the harbour, lights flashing, ploughing the thick water. Why hasn’t she ever noticed before that boats have windscreen wipers?
    Amy enters behind her. ‘Have you ever seen such retro ugly mugly décor? Brown curtains with a stripy pink bed- spread. Meh! But it is a lovely view, isn’t it?’ Amy collapses onto the bed. ‘We’ll just have to keep the light off,’ she laughs. ‘Oh!’ she says innocently, as if the idea has just dawned on her. ‘You don’t mind us having this bedroom, do you? We can always swap if you really want to and …’
    Sarah shakes her head, no point making a scene. She leaves Amy to her little victory.
    The other bedroom will do. She hears people laughing in the street below as she empties the suitcase and hangs things up in the wardrobe. The toothbrushes and soap can stay here on the dressing table. Seeing her reflection in the mirror, Sarah ruffles her brunette boy bob to stop it looking too tidy. Yes, they have all had their lateral flow tests and are COVID-free but no point tempting fate, is there?
    The front door opens downstairs.
    ‘Grub’s up!’
    Stephen has found plates and the small dining table is covered in fish and chips. Derek has at least muted the television so that they don’t all have to listen to the commentary. Sarah is profoundly disinterested in rugby.
    ‘The lights are all off in the basement,’ Amy announces. ‘Took ages to find the toilet. Do you think it’s a fuse?’
    ‘The spring roll is for Sarah,’ Stephen announces. ‘She’s vegan. Cod for the rest of us.’
    ‘Spring rolls don’t sound very traditional, mate,’ Derek says. ‘Don’t they do pickled onions and eggs? A vegan egg. Do vegans lay eggs?’
    Sarah ignores Derek; she has heard it all before.
    ‘Ta-da!’ Amy deposits drinks on the table. Newcastle Brown for the boys and Theakston cider for the girls. ‘No one’s driving are they?’
    ‘I left it in the long stay beyond the station,’ Stephen tells Sarah. ‘Could be fog later.’
    ‘That’s miles away.’
    ‘We don’t need the car.’
    ‘Fair point. Wrap yer soup coolers round that, Stevo.’
    ‘Cheers everyone!’ Amy and Derek click bottles together. Sarah pours her cider into a glass and does the same with Stephen’s beer. ‘Oh, I promised to show you photos of the Arnold Palmer crazy golf course, didn’t I?’ she laughs, handing her iPhone to Amy. ‘There’s a space rocket, and a watermill without any water in it! Can you imagine! And a hilarious little man who takes your money. He’s always so grumpy. No idea why. A real jewel in the crown, isn’t he, Stephen?’
    ‘If that bloody rain stops for a few seconds we can all troop down to the pub for a few jars later,’ Derek says. ‘On Trip- advisor it says that …’
    Amy glances at a couple of photos and places the phone on the table beside the chips.
    ‘Have they all got vinegar on them?’ Sarah asks, putting a brave face on the lack of interest in the crazy golf.
    ‘None of them have. You brought vinegar with us,’ Stephen replies. ‘She prefers balsamic,’ he explains to the other two.
    ‘Good job you didn’t ask for that in the chippie,’ Amy giggles. ‘Can you imagine?’
    ‘Anyway,’ Stephen says, changing the subject. ‘Here’s to Henrietta Street and a wonderful weekend. Cheers.’
    ‘It’s really good they don’t use those horrible polystyrene trays anymore, isn’t it?’ Sarah explains as she shovels her chips onto a plate. ‘And the chippie we found last time cooks in vegetable oil instead of beef dripping. Stephen, you did …’
    ‘Yeah, yeah, they fried them separately.’
    ‘Poor old Stephen can’t smell anything. COVID,’ Sarah tells the other two. ‘Says everything is just fresh air, don’t you?’
    ‘Must be awful,’ Amy sympathises. ‘Don’t know what I’d do without my nose. Do you come here every year then?’
    ‘We used to before …’ Stephen starts.
    ‘Hang on! Hang on! … No!’ Derek shouts at the television. “He should have scored. Three metres from the line! For fuck’s sake. They’re a bunch of blouses. Sorry mate, you were saying.’
    Stephen shakes his head, it doesn’t matter.
    Outside hail has turned to rain. Lightning illuminates the lighthouses that stand on the piers like sentries against the North Sea.
    ‘Well, this is gothic,’ Amy says staring out of the window. ‘Anyone fancy a séance in the graveyard?’
    ‘You’re mad. She’s mad. Still, if it gets you in and out of that purple corset.’ Derek flashes his eyebrows up and down suggestively at the other two. ‘You know what I mean?’
    Amy giggles.
    Sarah is beginning to wonder if she will survive two days with Derek and Amy.
    They open all the cupboards and find half a dozen games. Derek, who is on his third bottle of Newcastle Brown, declares he doesn’t do board games. Stephen suggests cards. Derek suggests strip poker.
    They play knock-out whist. At eleven o’clock Derek declares himself desperate for a bevvy.
    ‘You can all stay here if you like but I going to find a pub and have a couple of proper pints, assuming they sell proper pints.’
    He throws on his coat, grabs an umbrella from one of the carrier bags and throws open the front door. Water falls like a power shower out on Henrietta Street. Derek mouths an insult and steps out, slamming the door behind him.
    ‘Oh Stephen, aren’t you going to keep him company?’ Amy says. ‘We come all the way from Dorking.’
    Before Stephen can reply, the door flies open and a broken umbrella is tossed into the cottage. The door slams a second time. Stephen looks at Sarah and sighs.
    ‘There you go,’ Amy coos.
    ‘He’ll be so happy. Don’t stay all night!’
    The two women watch Stephen leave, his hat pulled down hard over his ears.
    ‘Men. Fancy watching Strictly on catch-up? I missed last week’s.’ Amy channel hops the television.
    Sarah crosses to the window and stares out into the night, allowing the curtains to fall behind her to cut the reflections of the room. Across the harbour the lighthouses flash red and green in the darkness. She wants to open the window and hear the wind and waves and feel the salt air on her face. She senses infinity in the light shifting on the water.
    Every ripple unique, from now until the end of time.
    ‘Lovely, isn’t it?’Amy says, squeezing in beside her.
    ‘Looks just like an amusement arcade, all lit up like that. Derek and I love going down Hastings on bank holidays. All those big bikers on their machines, and the one-armed bandits.’
    Sarah grits her teeth. Why are Amy and Derek so unspeakably dreadful?
    Make an effort, Sarah.
    ‘Shall we go for a walk?’ she says. ‘Down to the pier. You know this is where Dracula’s ship landed in the story?’
    ‘I just had my hair done.’
    ‘Dracula won’t mind. You can wear Stephen’s anorak. I don’t know why he didn’t take it himself. You’ll be dry as doughnuts.’
    Amy hesitates.
    ‘Mustn’t let the boys have all the fun,’ Sarah says.
    Two minutes later the women are heading up Henrietta Street, the breeze at their skirts. The cobbles glisten slip with rain. Above them, the wind winds the chimney pots and rattles Amy’s bling grade gold earrings. Sarah immediately feels more alive.
    Amy grabs Sarah’s arm. ‘It’s cold.’
    ‘Really wakes you up, doesn’t it? Oh, Sorry, Amy. You all right?’
    ‘I’m fine. Have you got a hankie?’
    Sarah gives her a tissue and Amy wipes away the tears.
‘Sorry, I’m just a bit emotional.’
The path down to the pier is steep. They can hear the waves now, crashing the rocks, water sparking into the air. The lower notes of the undertow dragging the water back.
    A lacklit night with no moon. Above them the serrated blade of the cliff rips apart the speeding clouds, bringing more rain down upon their heads. A crackle of lightning sparks the sky. The streetlights stand guard, fragile beacons in the noisy dark. Rain peppers their faces.
    As they climb up from the low point and onto the harbour wall a creaking sound distracts Sarah. She turns this way and that, looking to locate the source.
    ‘You sure it’s safe?’ Amy asks. ‘Maybe we should …’ ‘It’s absolutely fine. Come on.’
If it is fine, why is she hearing the creaking of wood against wood, rope tightening a noose, and shackles raw-rubbing ankles to the bone?
    Back in the dark basement of the cottage, all is not well. A strip of wallpaper in the corridor beside the bathroom has started to tear. Quietly, fractionally. Fibre by fibre, stretching in a line from floor to ceiling then yielding like a paper zip.
    Then the process starts again further along the wall.

 

CHAPTER 2

The east pier is broad as a sandstone tennis court and hundreds of metres long. Sarah has walked its length many times, and crossed the new bridge linking to the pier extension that juts out into the North Sea opposite its sister on the west pier to form a beetle’s mandibles against the waves.
    Compared with the pier, the bridge ahead is wafer-thin, taut as a high wire act, tough as a spider’s web. Crossing it above the heaving water is exhilarating.
    But right now, crossing the pier, she is apprehensive. Why does she feel that tonight the pier is not a bulwark to the sea? Tonight, it takes just a thimble of imagination to see the waves are not moving towards the pier but passing beneath it, as if the pier is the deck of wide tanker floating far from land.
    Sarah breathes deep the salt air; the restless sea gives her wings.
    She says nothing of this to Amy who is walking with her eyes glued to the floor, watching her every step, clutching Sarah’s arm as if at any moment the wind might scoop her up and toss her into the harbour. Her leather trousers are soaked through and will stick to her thighs like Velcro when she tries to get out of them later on.
    ‘Why are there all these square holes?’ Amy asks. ‘Look! Cut into the rocks. Why would someone do that?’
    Sarah doesn’t tell Amy that they are Lewis holes carved into the huge blocks to enable them to be hoisted into position when the pier was created. Nor does she tell her that they are the nests gouged out the solid rock by sandstone petrels, diminutive birds with the toughest beaks in the world. Amy doesn’t want to know why the holes are there; she simply wants to talk, to know she is not alone.
    Sarah leads Amy to the lighthouse and the two women sit in silence on the steps, looking back across the harbour at the town, its houses cradled between the cliffs like eggs in a nest. The pink noise of the sea cocoons them, soothes them.
    The rain eases. The breeze wanes. A dog barks and headlights sweep up Khyber Pass, across the harbour, the vehicle hidden from view.
    ‘Do you think he found Derek?’ Amy asks.
    ‘They met at the rugby club, didn’t they?’
    ‘I wouldn’t want him to get lost. He’d already had a few when he left.’
    ‘Stephen says they hardly see each other at work.’
    ‘Different departments.’
    ‘Forgive me for asking, Amy, but what do you do? For a job, I mean.’
    ‘I’m having a year off. To sort out the curtains and things.’
    Sarah doesn’t really know how to respond. What can you say to someone who sees picking curtains as a meaningful way to pass a year?
    ‘That’s why I am so hot on décor,’ Amy continues. ‘It’s a gift, I suppose. And a lot of work, obviously. Derek says he trusts me to make sure everything is tasteful.’
    ‘There’s only three or four pubs on Church Street,’ Sarah says.
    ‘I hope they do traditional Surrey bitters. Derek is very particular.’
    ‘Amy, you are two hundred and fifty miles north of Surrey. The pubs will not be selling London beer.’
    ‘Maybe we should be getting back.’
    They all arrive back at the cottage at almost the same time.
    ‘That’s lucky!’ Derek says, his words echoing up and down the street. ‘We were about to knock the door down!’
    ‘Shh,’ Sarah says.
    ‘Oi, fancy running up and down the Abbey Steps, Sarah? Stevie always says you have plenty of energy, if you know what I mean.’
    ‘Please, love,’ Amy pleads.
    ‘It’s the north, Amy! Nobody minds shouting on the street. It’s part of the culture.’
    Sarah opens the door and ushers them all inside. Stephen’s face suggests that he has had enough of Derek for tonight.
    ‘Where’s the booze, babe?’ Derek walks into the dining table, sending the place mats to the oor. ‘Whoops-a-daisy.’
    ‘I think it’s time for bed,’ Amy says, steering him back toward the hall.
    ‘Need the john. The old can-a-rooney.’
    ‘It’s downstairs.’
    ‘What’s the point of that?’
    ‘It’s just the way it is, Derek,’ Stephen says, in a voice that betrays his fading patience.
    Derek staggers down the steps.
    ‘Bloody light’s gone!’ he shouts at the bottom.
    ‘We know,’ Stephen says. ‘I’ll sort it in the morning. There’s a torch on the last step.’
    A loud bang. Stephen and Sarah exchange glances. Amy shrugs apologetically. Muffled garbled singing drifts up from the basement.
    ‘A thousand quid deposit,’ Stephen mutters. ‘If he breaks anything …’
    ‘He’ll be all right in the morning,’ Amy suggests. ‘Just a little nervous, that’s all.’
    Twenty minutes later both couples have retired to their bedrooms and the cottage is dark. No one has noticed the rectangular rip in the wallpaper in the corridor beside the bathroom. Sarah has noticed the smell, like melting animal fat, but for want of a better explanation has decided that the source must be Derek. She will wash and disinfect the bathroom floor in the morning.
    ‘They’re saying sunshine from 8 o’clock until around 10.’ Stephen is in bed checking the weather on his phone.
    ‘Maybe we can go for a walk and leave them a note.’
    ‘We can’t just ignore them. We invited them.’
    ‘You invited them, Stephen.’
    Stephen sighs, puts his phone on the bedside table and switches off his bedside lamp. ‘Night.’
    He is snoring after just a few seconds. Sarah envies him. It will take her an hour to get to sleep. It always does, worrying about the morning. Is everything organised? Did they bring enough food for sandwiches? Is the front door locked?
    The light from the street cuts into the room above the curtains, casting a thin stripe across the ceiling. If they were in the other bedroom, she would have the curtains open and the window too. They aren’t as close to the water’s edge as they were in the hotel at Robin Hood’s Bay where the waves lulled them both to sleep but she knows the night air will be full of sound.
    Abruptly the streetlight outside cuts out. More lightning. Another power cut. Sarah hopes it comes back on quickly before the cottage cools down.
    In the basement the smell is thickening. The air tastes of hot meat and the wallpaper is becoming greasy.

 

CHAPTER 3

By the time Derek staggers drunkenly downstairs to empty his bladder, sometime after 2am, the basement is in a curious state of flux. The only light source is a faint blue wash spilling through the frosted glass of the bathroom window that gives onto the alley beside the house. Derek stands to urinate, his shoulder leaning against the wall, his back to the open bathroom door, his head throbbing.
    Out in the corridor behind him the wallpaper continues to rip, a whispering hiss like a skater etching a groove on a frozen lake. Wisps of mist emanate from this jagged line, curling, drifting, folding. Thin tendrils of smoke probe the lacklight.
    Searching for something.
    The groove rises then turns then turns again until, all at once, it becomes a panel of ripped paper that curls and buckles to reveal behind it … a door. A door that is opening for the first time in two hundred years. Dark voices whisper hoarsely in the shadows beyond the door. Metal grinds over metal and someone stamps his boots against the cold.
    Derek is almost done. He catches sight of himself, a shadow in the dark monochrome reflection in the mirror over the sink. The mother of all hangovers throbs the tendons of his neck. Why has he drunk so much? Why does he always drink so much? Why is it so bloody dark?
    The air stinks. Has he pissed himself? That’s all he needs. Smells like a fat fryer but nastier. He fills a cupped hand with cold water from the tap and drinks it. Tastes weird. How can something as boring as tap water taste different depending on where you are? What he would give for a pint of Dorking’s nest H2O.
    Footsteps in the corridor. Shit, he forgot to close the door.
    ‘Out in a minute,’ he calls.
    A last handful of water, splashed across his face this time.
    He crosses the bathroom, each step rattling the vertebrae beneath his skull. On the threshold into the corridor a wide rough hand slaps him full in the face, muffling his cry. Other hands grab him and pin his arms behind his back.
    ‘March him out lads. If he squeals run him through.’
    A gnarled hairy face thrusts itself in front of Derek. ‘You’ll not try anything stupid.’
    The other man’s breath is fetid. He raises a lantern to peer up into Derek’s eyes. Dirty smoke rises from the flick fluckering flame. Burning grease in a saucepan.
    Derek is so drunk he doesn’t even register that he is being pushed towards a door that wasn’t there moments ago. He does glance up the stairs and shake his face free from the limpet hand over his mouth, but before he can shout for help he feels a blade at his throat.
    Out in the alley, Derek’s hands are pulled behind his back and tied together. He shivers, he isn’t wearing shoes. He is in the clothes he had on when he collapsed on the bed; shirt and trousers. He can see his breath.
    Four men, two of whom are carrying old-fashioned lanterns. A pungent smell. Not the smoke stink of the lanterns, something else. A weird blue glow hangs by the back of the house.
    ‘Move.’
    They’re walking along behind the houses and then down narrow irregular steps down towards the harbour. Muddled-headed, Derek complies, assumes that this is all part of some stupid festival stunt or a Whitby initiation thing. That’s why they’re in costume.
    And if Stephen … oh, now he gets it. It’s Stephen and his stuck-up wife Sarah! They’re behind this. It’s all ‘matey, join us for a perfect weekend in t’North’ while secretly organising the mother of all humiliate-a-thons.
    They’re probably in the cottage laughing like drains.
    Well, he will not give them the satisfaction of shouting out. Let them worry. Let them end up dialling 999 when he doesn’t reappear and then get sued for wasting police time. Teach them a bloody lesson.
    A painful kick in the back of the thigh brings him back to the here and now.
    ‘Shall we truss him up like a turkey?’ a rough voice laughs behind Derek.
    ‘Tar and feather the bugger!’ said in a strange accent.
    At the bottom of the steps a rowing boat, piled high with boxes and barrels, is waiting in the rippling shadows. In it sits a scruffy girl with large dark eyes and thick curly hair poking out from beneath a black tarpaulin hat that is several sizes too large. Maybe nine years of age, she holds a lantern and looks deadly serious.
    The men bundle Derek aboard. He stumbles, cracks his head against something and ends up face down spluttering in a puddle of dirty harbour water as the boat is pushed away from the steps into deeper water. One after the other the men scramble aboard and the boat slip slides the liquid darkness, its momentum juddering to the rhythm of the oars.
    Derek struggles to understand the conversation – the accents and the vocabulary leave him at a disadvantage – but he does learn that they are heading towards “the ship”, that they “lose the tide” in an hour, and that there is a “good breeze out on the drink”. He feels the cold in his feet and hopes that the entertainment is soon brought to a close. Though it pains him to admit it, the whole thing is very realistic and is clearly well organised but, if he catches a cold, or worse, he will sue.
    The harbour is dark, there must be a power cut. Presently the boat bumps up against a second vessel; a hollow thump of wood against wood. Thick ropes and a net drop from above and the boxes and barrels hoisted aloft. Without addressing him directly, the crew manhandle Derek onto the net and he is lifted into the air and dumped unceremoniously onto the deck of a ship and there’s that pungent smell again coming directly from the planks under his nose. Suddenly it comes to him; tar. The smell of road repairs. Everything stinks of it.
    A rat peers at him from the shadows beside a hessian sack.
    ‘Does someone want to tell me when this bit of fun finishes?’
    No one is listening. The men scramble aboard and the boat is lifted up out of the water with the young girl still in it. Low voices are exchanged, there must be twenty people busying themselves on the deck, shifting stuff around, tying boxes down.
    Derek has had enough. ‘Hey! Hey!’ he shouts. ‘Yes, you with the hair. Untie me and take me to the organiser. Right now.’
    He feels the vibration of the planks behind him but before he can roll over, his wrists tied behind his back, a hand grabs his face from behind, pulls open his jaw and stuffs a rag into his mouth. The smell of tar is overwhelming and Derek starts to gag helplessly.
    Running footsteps. A screeching hinge as a hatch opens on deck.
    ‘Quick lads, haul anchor, lower the sails, man the boats and haul us away,’ hisses a new voice. ‘We must be gone or we’ll be grounded!’
    Derek’s shouts have not passed unnoticed on the shore. A distant voice starts to shout. ‘Pressers! Bastards are back! Wake up, wake up!’
    The ship comes alive as some of the crew race up into the rigging to attend to the sails, while others lower two boats into the water. A chain rattles. The anchor is hauled up. Ropes are dropped and attached to the boats, and the crew, six in each boat, pull their oars to drag the ship into motion.
    The noise grows on the shoreline as half a dozen locals gather to hurl insults at the ship. Stones are raining onto the deck and Derek finds himself dragged quickly, on his back, to the safety of an overhang.
    The ship approaches the constriction of the harbour jaws to a raucous chorus of jeering from the piers but now the sails catch the edge of the wind and start to ll. The boats, no longer needed, come alongside the ship and the men scramble back aboard doing their best to dodge missiles, mainly stones, from the pier.
    ‘Heave men, heave!’
    Water drips beneath the keels as the rowboats are lifted out of the harbour. A man shouts as a rock catches him on the temple and fells him. Two women rush out from beneath a tarpaulin to grab the victim and drag him to safety.
    Now between the harbour jaws, the ship starts to ride the swell, rocking and yawing in the waves. In seconds the ship escapes onto the open sea. Cheers erupt around the ship; they have made it by the skin of their teeth.
    Amy sits up in bed and wonders where Derek is.
    Utterly bewildered by unfolding events and hidden from view in the shadows of a tarpaulin, Derek falls into a drunken slumber on a wooden ship sailing out of Whitby.
    It starts to snow.